Hazel McHaffie

Another thriller masterclass

With this week’s news that certain people are to be banned from entering America on the grounds of their race/faith, coming on top of the ongoing shocking stories we keep hearing about the plight of Syrian refugees, it seemed somehow appropriate this week to read a book about illegal immigrants, whilst simultaneously knitting garments for refugees – doing both together helps me concentrate for longer.

Swedish author and political scientist, Kristina Ohlsson‘s novel, Silenced, is a police procedural thriller which has people-smuggling at its heart, and asks what price is worth paying for freedom.

Cleric Jakob Ahlbin sums up the challenge: ‘I don’t think we need worry that there are vast numbers of people in the world wishing they lived on a sink estate in Stockholm with no work or permanent housing. What we really must think about, on the other hand, is this: is there anything a father will not do to make secure provision for his children’s future? Is there any act a human being will not commit to create a better life for him- or herself?’

Sobering questions. And a tough call for any fiction writer.

Ohlsson knows exactly how to build tension. She begins fifteen years ago, with an innocent young country girl being brutally raped in a flower meadow behind her parents’ Swedish home; the crime goes unreported, the victim silenced. Fast forward to the present (2008) and we have a series of sinister situations … the vicar mentioned above, known for his passionate campaigning on the migrant question, discovered dead beside a hunting pistol, a murdered wife and a suicide note … an illegal Iraqi immigrant being imported into Sweden to carry out a crime, found dead in a lake … an unknown man driven over deliberately outside the university, also dead … a young woman whose life is spinning out of control in Bangkok … mysterious unnamed individuals caught up in some highly secret project …

Numerous dark strands but somehow all connected. A motley band of police officers, each grappling with their own demons, painstakingly assembling the jigsaw.

Sounding complicated and confusing? It is. But not so unfathomable as to make it impossible to follow, or even to guess a few solutions before they’re revealed. The pages keep turning, the brain keeps whirling.

This is the kind of tension and narrative pull I want for my eleventh novel (working title Killing me Gently); something that grips the attention and doesn’t let go till the last page. So I’ve been trying to be very analytical as I read. And after Ohlsson’s little masterclass, I can now go back into my own writing with renewed energy and focus.

Having said that, there are things about her writing I wouldn’t wish to emulate. Literary irritations – probably blips in the conversion into English – and some dead ends and threads that were rather unconvincing. But there are also occasional gems not lost in translation:

The hospital smell – ‘as if death itself crept into the ventilation system and was breathing on everybody in turn’.

A first-time father of almost sixty – ‘very likely not to be the stuff of which nests were built’.

Worthy and dubious alike, all part of the challenge, and most useful to me as I continue to learn the art and craft of thriller writing.

 

 

 

 

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