Hazel McHaffie

Covid-19

Sobering realities from the Covid-19 frontline

I love the idea of a story about a detective hunting lost triangles! A man whose imagination conjures up that plot for his children has my ear!
A doctor who lets his small daughter paint his toenails lurid colours during a pandemic and leaves it on – It’s a little piece of home to take to work, a talisman to protect me and a token to remind me – gets my attention.
One who’s fearless enough to spell out unpalatable facts about our health service in the face of repeated political assurances of world-beating everything, gets my vote.
And when that medic is so incensed by the government’s spineless response to Special Advisor Dominic Cummings’ blatant disregard for instructions to the nation during lockdown, that he tweets a photo of himself in full PPE, stating that if Cummings doesn’t resign, he will, and then does so, has my heartfelt respect.

That man is Dr Dominic Pimenta, Specialist Registrar in cardiology. His story in Duty of Care begins in London in January 2020, when he becomes increasingly aware of a tsunami of disaster heading this way. It’s the stuff of his nightmares.

The book is certainly not comfortable reading. It exposes a stark picture of our country woefully lagging in health care provision:
The simple numbers are so bad they speak for themselves; at present, we have the worst A&E waiting times on record, the worst operating waiting times and the worst record on hitting targets. Even life expectancy is on the decline. We are short-staffed by a figure of around 100,000 staff, including 40,000 nurses. We also have one of the lowest number of critical care beds, general hospital beds and doctors per head of all the 37 countries in the Organisation for Economic Co-operation and Development (OECD). If we were an army, we would be a band of bedraggled, starved and exhausted soldiers. And that was all the case before any sign of coronavirus.

Now, I must confess that I personally have a lot of sympathy for our leaders trying to steer a course between many competing demands, balancing livelihoods against lives, damned if they do, damned if they don’t. It’s all too easy to criticise from the sidelines, or with hindsight. I cringe watching opposition MPs constantly carping about the decisions of government, knowing full well they aren’t going to be held accountable themselves. But this man, Dominic Pimenta, is a medical practitioner, and he had his eyes wide open from the outset. He isn’t scoring political points. So when he catalogues a litany of failings – incompetence, mendacity, lack of transparency, disregard of WHO advice – which have led to thousands of people losing their lives, thousands losing loved ones, thousands developing serious health problems, thousands having vital treatments postponed, thousands suffering serious mental ill health, then we ought to sit up and take note. These are desperately serious consequences indeed.
We could see the pandemic unfold, in high definition, live, 24/7, before our very eyes. And yet, for too long, we did nothing at all.

But in spite of his acute awareness of the true picture, shining through is his pride in the NHS: they responded magnificently to an overwhelming situation. He outlines convincing detail of their titanic struggle, their frustrations, their failures, as well as their triumphs and heroics.
With the right mindset, we are capable of incredible things.
Amen to that.

His own personal energy and determination to make a difference are exhausting to contemplate:
– writing articles spelling out the coming danger
– tweeting analysis and warnings
– publishing in the national press
– appearing on live TV shows
– campaigning for change
– garnering signatories for public appeals
– establishing a charity, HEROES, (now rebranded as Healthcare Workers’ Foundation)  for the protection and support of healthcare workers
– attracting celebrity support
– designing prototypes for PPE (personal protection equipment)
– setting up a second organisation, SHIELD, to bring industry leaders and experts together in the creation of innovative solutions to meet the demand for PPE, including cutting edge ‘printing hubs’
all while working as a clinician way outside his own comfort zone – at the frontline in ICU – and trying to be a husband, father, brother, son, uncle, friend, in unprecedented times. His manic activity leaves one fearful for both his mental and physical health, but as he says himself, the problem was so vast, it would never feel as if any level of effort was enough.

In Duty of Care he leaves the story at the end of the first lockdown, knowing a second and possible third tsunami are coming. Since he published it, we have all entered that predicted second wave and are dealing with its consequences right now. This week the death toll in the UK passed 62,000. I feel fairly confident we’ve not heard the last from this extraordinary ma, but I leave you with his own parting shot:
So stay informed, stay safe and be kind.

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Ethical challenges – did anyone press the pause button?

Well, the world may have been on pause this year, but ethical issues have still raised their heads above the parapet periodically. However, I suspect most of them were lost in the cacophony of sound relating to the pandemic, so to illustrate, I’ll share a selection from the past three months up till yesterday.

December
Sweden’s gymnastic federation has now ruled that young athletes under the age of 18 will be able to train and compete as whichever gender they choose to identify as. They will not need to provide a doctor’s endorsement or any evidence of gender dysphoria.

Following a landmark High Court ruling, in the UK, new guidelines have been introduced by the NHS that make it necessary for children with gender dysphoria to obtain a court order before they are legally allowed to take puberty blockers. It is felt that under 16-year-olds are highly unlikely to fully understand the long-term risks and consequences. However the Tavistock and Portman NHS Trust which runs the UK’s only gender identity development service has said it will appeal against this ruling.

`November
New euthanasia rules are being introduced in the Netherlands – a country already known for its liberal social attitudes. Doctors will now be permitted to spike patients’ drinks before lethal injections are administered, in cases where it’s impossible to obtain informed consent from a person with an advanced directive who has already expressed a wish for help to die when the time is right, but who might resist the final act. The change comes in the wake of a court case where a doctor in a nursing home secretly slipped sedation into coffee for a lady at an advanced stage of dementia. Opponents of euthanasia are understandably alarmed by this widening of the limits in the medical code.

The English Health and Social Care Secretary, Matt Hancock, spelled out confirmation that travelling abroad for assisted dying constituted a legitimate reason to break lockdown restrictions.

It was an accidental error that led to the Oxford/Astro-Zeneca vaccine against Covid-19 reaching 90% efficacy. About 3000 of the more than 20,000 volunteer trial participants had been given just half the dose they should have received according to the research protocol. The ‘correct’ dose achieved just 62% efficacy. A serendipitous result. And a lucky break for whoever was responsible for the mistake!

October
The Dutch government approved plans to allow euthanasia for terminally ill children under the age of 12 who are suffering hopelessly and unbearably. Objectors see the thin end of the wedge visibly widening.

Legislation to allow medically assisted death was passed by the New Zealand parliament last year, but lawmakers delayed implementing it until the public had had their say in a referendum.  Under this law, the End of Life Choice Act, a mentally sound adult who has a terminal illness with a life expectancy of less than six months, and who is experiencing unbearable suffering, can request a fatal dose of medication. New Zealanders have voted overwhelmingly to legalise this, which means the measure will now pass.

An angry backlash developed when the Women’s Prize for Fiction opened up its eligibility criteria to include transgender women.

Six consecutive days of protest followed a near-total ban on abortions in Poland by the constitutional court. A country of 38 million people, Poland already has some of the most restrictive abortion laws in Europe, and an estimated 80,000 – 120,000 Polish women travel abroad for terminations or seek illegal abortions each year.

The English government has been keen to make the process of applying for a Gender Recognition Certificate kinder, cheaper and less complicated. As part of a drive for greater equality, the Women and Equalities committee are in the process of examining whether the currently mandatory diagnosis of gender dysphoria should be dropped from the legal process of transitioning, whether transgender people should be required to live in their preferred gender for at least two years before formally transitioning, and how their rights can be better supported.

As it stands, parents in this country are allowed to terminate a pregnancy where the fetus has Down’s syndrome, at any point up to full term. Three adults with Down’s Syndrome are now launching a landmark legal challenge to the Government’s abortion legislation on the grounds that it makes them feel they shouldn’t exist and would be better off dead.

A former Public Health England medical director, Professor Paul Cosford, had never wanted to be a supporter of assisted dying, but after developing incurable lung cancer himself, changed his view and bravely declared his hand in the BMJ.

A poll of 29,000 BMA members found – for the first time – that a majority were in favour of medical professionals being able to prescribe life-ending drugs. The BMA’s position currently is that they are opposed to assisted dying.

A Dutch fertility doctor has been found to have fathered 17 children during the 1980s and 90s, with women who thought they were receiving sperm from anonymous donors.

September
After President Macron turned down his personal appeal for euthanasia, a Frenchman in his fifties, Alain Cocq, suffering from an incurable condition where the walls of his arteries stick together, announced he would refuse drink, food and medicine, and live stream his death. However Facebook said it would block this being broadcast on its forum. M Cocq subsequently said he had lost capacity for the fight, it was too difficult, and he accepted palliative care.

Last year staff at the Gender Identity Development Service raised serious concerns about safeguarding issues relating to the use of inhibitors and the speed or referral for treatment for young people. It transpired that England’s only NHS gender clinic for children knew about recommendations for puberty blockers from an internal review carried out 15 years previously, but failed to implement them. An independent review into these services is underway now to improve access to and delivery of support for these young people.

Who knew there were so many, huh? I shall never be short of material for my novels!

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Stress busting!

I’ve been reminded all over again this week of the importance of books in the nation’s health; never, I suspect, has that need been greater than now when a pandemic is threatening our very foundations and security.

It’s been an uncharacteristically stressful week in my own little world, most of it stemming from the vagaries of technology. Frightening how much we depend on the internet and all things electronic in our everyday lives, isn’t it? Being without connections feels like working with one and a half broken arms.

But I know that my personal stresses are as nothing compared with those of countless others during this time of Covid. The BBC wheeled out some big guns in the world of psychiatry during the past few days, who all tell us about the abnormally high incidence of worrying symptoms for mental illness, symptoms sufficiently serious to warrant medical intervention under normal circumstances.

Well, I’ve always been acutely aware of the fine dividing line between normal and abnormal when it comes to mental health. I rapidly but determinedly side-stepped psychiatry in my training, even though the way the mind works and its link with physical health fascinate me. And I’ve never forgotten the patient who first alerted his family to pathological disease when he started cutting his sausages lengthwise … but that’s another story. This week, when things started unravelling for me, it was time to segue into active stress-management mode.

Aromatherapy, mental puzzles and games, exercise, relaxation techniques, helping others less fortunate … the whole gamut came into play. And breathe … And relax …

But of course, books remain one of my main go-to resources. There’s nothing to beat losing yourself in another world. And in this context all I need is something unexacting but gripping. Time to turn to a tried and tested author: Harlan Coben.

I have a stack of his books on my shelves for exactly this kind of situation; these are just a selection, collected over many years. First off the shelf was Run Away.

First page, opening paragraph  …
Simon sat on a bench in Central Park – in Strawberry Fields to be more precise – and felt his heart shatter … he stared straight ahead, blinking, devastated …

and I’m already asking who, what, why, when?

His once lovely daughter Paige – who ran away from her comfortable, professional, stable, ordered family life, to shack up with a criminal and wallow in addiction, has been seen busking in that very park where Simon sits with his heart splintering into fragments. Watching her. He’s appalled by what he sees: a malodorous, strung out bag of bones with matted hair and yellow teeth and a cracked voice. Trickster, manipulator, thief. And that encounter leads him deep into the dark and dangerous underworld that swallowed her up – guns, violence, murder, drugs …
because if someone hurts your daughter, a father has an obligation to stop him, no matter what.
But when the man who took her to this hellish place is murdered, Paige vanishes. He’s lost her again.

A second plot line shows a series of young men being targeted and killed. Why? What’s the connection? I twigged the ‘what’ by P167, and the ‘who’ by P194, but not the ultimate ‘why’… P319. Kept me turning the pages. Better still, it crept close to my own field of interest – genetic inheritance, infertility, adoption, ethics … now you’re talking my language!

And all the threads don’t fully come together until the epilogue. The work of a devilishly clever mind. And balm to my troubled one.

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Sweets or brussels sprouts?

 We … read fiction to learn about what we don’t know and to recognise what we do.
To feel less alone. And we share fiction, in online and physical book clubs, sometimes to find a way to discuss those issues we are struggling with in our everyday lives – and at other times to get as far away from them as possible.

Discuss!

No, this wasn’t really on an exam paper, but in the official journal of the Society of Authors: The Author.

It’s a complete joy to read these productions, every article beautifully written and relevant and helpful, but this particular quote made me pause and reflect on the hundreds and hundreds of books on my shelves and why I a) chose them and b) read/will read them. I’ve given away more of my personal library this year than ever before, partly because the pandemic has meant more time for folk to read books so I’ve shared mine, and partly because many found their way onto the bookcase we put out during lockdown.

It’s terrific news that the nation has turned so wholeheartedly to reading. Apparently online sales of books surged fourfold with an estimated 41% of the population in the UK –  both more in number and almost doubling time spent devouring them. Wahey!! And the notes we received from users of our bookcase showed how vitally important books are to mental health.

I loved the observation made by Waterstone’s Children’s Laureate Cressida Cowell: every single primary school needs a well-stocked library, where the stories are ‘modern and exciting and relevant to children’s lives, like sweets, not brussels sprouts‘!

For adults, of course, we need a very mixed diet. Sometimes it does us good to have a sour taste left in our mouths; sometimes our teeth need to be set on edge; sometimes we need to persevere to educate our palate. Writing about difficult issues – mental illness or suicide or sexual abuse or body dysphoria or death or whatever – can hardly be described as sugar candy, and I’m all too conscious that many of my own novels are not mugs of decadent hot chocolate for bedtime. Indeed, I select with great care when I send any of them to people with vulnerabilities. But opening up healthy dialogue about subjects currently shrouded in myth and taboo and isolation and misunderstanding, is wholly desirable. And sometimes fiction can reach the parts and the consumers better than more formal texts … provided care is taken. I was much impressed to hear that the Society of Authors has been working in close collaboration with the Samaritans and recently issued a set of guidelines for authors writing about suicide or self harm. Brilliant. It would be so so easy to get it wrong.

So, let’s hope the habit of reading acquired in this difficult year of Covid-19, becomes a bonus that continues way beyond the pandemic.

 

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Girl, Woman, Other

Did you know that last Thursday was ‘Super Thursday‘? – that day in the literary calendar when there’s a bonanza release of new books in time for Christmas. And this year, because of Covid-19 significantly delaying publication for authors across the board, as many as 600 new titles were released in 24 hours. 600! In one day!! SIX HUNDRED!! What hope is there for mid-or-below-mid-listers to be even noticed, huh? About as much as for a youngster with three C-grades-on-the-basis-of-teacher-assessment getting into Oxbridge, I’d say.

Seemed like a good week to home in on one title that has made the grade, big time: Girl, Woman, Other by Bernardine Evaristo which I mentioned in my post two weeks ago – co-winning the Booker Prize with Margaret Attwood‘s The Testaments. Evaristo is the first black woman ever to achieve this distinction, and she comes across at interview as a bundle of energy and zeal and determination. Positively effervescing! Given the high profile racial issues have been receiving of late, it could be argued that this book – its subject matter and its author – must surely be falling into fertile soil.

Girl, Woman, Other is Evaristo’s eighth work of fiction, which took her six years to complete. It’s written in a hybrid form that falls somewhere between prose and poetry, without capital letters or full stops for sentences, or proper paragraphs, line breaks being used to control rhythm and beat. Sound confusing? I know, and yet … it’s very readable (says this Booker Philistine with wonder in her voice). Here’s a wee peek inside …

The novel follows twelve characters, most of them black British women, moving through the world in different decades, from different backgrounds, having different experiences, making different choices. Each character has her own chapter, but their lives overlap and they are all interconnected in some way. Some of them are close – friends, relatives, lovers – others simply visit the same theatre on the same night. But common threads pervade their stories: oppression, prejudice, discrimination, racism, injustice, sisterhood. Which come in all shapes and sizes. Typically of literary books, there’s no real plot, but the characters challenge the reader to consider British attitudes and practices towards black women through the ages, and more importantly, one’s own prejudices and preconceived ideas.

The primary character and lynch-pin is probably Amma, a black lesbian playwright, now in her 50s, whose new play is being produced at the National Theatre in London. Her vignette starts the book; her after-play party almost concludes it. This part of the story is semi-autobiographical: Evaristo was co-founder, with two other women, of the Theatre of Black Women in the early 1980s. In between, we meet eleven other characters who range through frustrated teacher, abused partner, sassy teenager, nonagenarian farmer, non-binary person, adopted waif, and so much more besides.

Did it work for me? On one level, yes. I found the unusual writing style surprisingly fit for purpose. The characters come alive through their patois/pidgin, their disjointed paragraphs, their learned experiences over time. I especially enjoyed Carole, a Nigerian girl who rises above her circumstances – poverty, gang rape at 13, schooling in an establishment that specialises in producing teenage mothers and early career criminals – to acquire a degree at Oxford amongst future prime ministers and Nobel Laureates, and goes on to set the world of finance alight. And yet still finds herself overlooked and suspected. Then there’s her indomitable mother Bummi, determined to make a success of life against the odds, setting up her own very professional and superior cleaning services company, gradually accepting her daughter’s steps away from her African heritage, but herself accepted by the young English high society man Carole marries. I couldn’t help but take to the sassy teenage LaTisha, the queen of backchat, spouting her unique brand of philosophical wisdom and researched facts, all the while emoting pure insolence – a special skill of hers according to her teachers. And I really took to Hattie, 93 years old, a great great grandmother, still living alone and running the family’s 800 acre farm, outspoken about modern hifalutin ideas like mobile phones and non binary identity and central heating.

But for me, their brief biographies lacked a certain overall depth, and I’d have liked more development of their individual and collective stories. That in itself is a remarkable reflection. Booker Prize winners usually leave me shrugging my shoulders and saying, So what? This one left me wanting more. I’d call that a success.

 

 

 

 

 

 

 

 

 

 

 

 

 

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Viral overload

A surprising number of people have asked me when I’m going to write a book about a pandemic – however, word on the writerly circuit is that this would be ill-advised… for a long time. And it’s certainly not on my radar. But OK, the current pandemic has been uppermost in our thoughts for months, so I thought I’d look at a couple of modern novels written way before this present real-life Covid-19 crisis reared its ugly head, and see what a lively imagination can come up with.

Peter May‘s 2003 novel, The Runner, features endogenous retroviruses. What viruses, do I hear you cry?  Viral remnants found in every cell, an integral part of the human genome, normally dormant, but occasionally activated by external viruses and capable of causing catastrophic damage and the emergence of very dangerous diseases … sounding familiar?! In this case, though, it’s the musculature of the heart in young, fit, elite athletes, causing thickening of the walls of arteries, and heart attacks, which the pathologists are finding.

Section Chief Li Yan smells trouble when he sees a succession of such deaths among top athletes in China. Initially they appear to have been involved in accidents or suicide, but something sinister lies beneath the facade. They all reveal strange pathologies at autopsy, and all except one have completely shaven heads. Li has been protecting his pregnant American fiancée, Margaret Campbell, for her own sake and the well-being of their unborn child, but such is his disquiet, that only she will do for post mortem examinations on these young sportsmen. In the event, infection is the least of their worries, as they become embroiled in a far more deadly and macabre race against the evil genius behind these deaths.

And once again I’m hugely impressed by May’s careful research and ability to convey complex science – this time in the world of medical genetics – convincingly and understandably.

The other book just had to be Lockdown, again by the same author, and released this year. He actually started researching for it way back in 2005 – fifteen years before this current real-life pandemic. At the time he was finding it impossible to find a publisher for The Blackhouse (hard to believe, huh?) and his first Enzo book.

But May’s vivid imagination had conjured up a chilling scenario that arose out of his fascination with viral epidemics.  He wrote furiously during six weeks, burning the midnight oil – only to find no one would touch it; it was too unrealistic and improbable. But when the current virus we’re familiar with hit this year, the novel was picked up by Riverrun and came out while the author was himself hunkered down in his home in France, forbidden from leaving his home except in exceptional circumstances – because of Covid-19.

London is at the epicentre of a global pandemic. It’s in lockdown. A deadly virus – with a mortality rate of nearly 80% – has already claimed the lives of hundreds of thousands, and the health and emergency services are overwhelmed. Familiar jargon, huh? Family funerals and religious services are banned, grief is on hold, bodies are burned within twenty-four hours. The prime minister and two of his children are among the dead. An emergency measure has been brought into force banning the printing and distribution of newspapers. Civil disorder is simmering, ‘the debris and detritus of a once civilised society scattered across the ruined streets‘, and martial law has been imposed. Soldiers are prepared to shoot on sight anyone who breaks the curfew.

A temporary overspill facility is being rapidly built, until, that is, the construction workers discover the body of a murdered 10-year-old child in the pit they’re excavating. Because of a dire shortage of policemen, DI Jack MacNeil is called out of hiding in a refuge for down-and-outs to solve the case as fast as possible so that building work can resume. This is no ancient crime scene: the bones of the child – who is Chinese and has an unrepaired hare lip and cleft palate – are still fresh, and what’s more, they’ve been recently stripped of flesh by a knife. Enter the experts – except some of them are sick with the virus. And on top of all this, MacNeil learns that his own young son has died of the flu. He throws all his energies into finding the killer of this little girl, a last hurrah before he leaves the Met for good.

In both books there are elements that raise an eyebrow when it comes to believability, but my mind raced off along different possible scenarios for future novels. However, more than that, May’s experience illustrates two salutary things for me. There is a time to publish and a time to refrain from publishing. And even the top names can hit fallow times.

PS. I was amused by one throw-away line in Lockdown: ‘no self-respecting looter was going to be seen dead breaking into a bookshop‘ …!!!

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In it together

In a week where the fallibility of the UK government has reached a new low, I’ve been revelling in the human face of celebrity.

What a fabulous opportunity! I’ve been at the virtual Hay Book Festival – one of the most famous literary events in the world. Outside the dreaded virus might be lurking, political storm clouds may be gathering, but I was squirrelled away in my study, with no one to irritate me or distract me, before me a parade of authors and orators and experts, speaking from their own homes, to an international audience of hundreds.

And not unnaturally, frequent mentions of Covid-19, the very thing that has made it impossible to hold the real event in its normal location in Wales. Indeed, many of the events were specifically about the virus.

Regurgitating the science or philosophy would send you to sleep, but what struck me was that, against the background of their natural habitats, the speakers seemed more real, more authentic; they shared intimacies about their families, their lives, which somehow brought them closer to us.

So, for example, best-selling novelist, Maggie O’Farrell, was talking about her latest book, Hamnet, a fictionalised story woven around the life and death and memory of William Shakespeare‘s son of that name, who died probably/possibly of the Black Death (the most deadly epidemic in recorded human history), aged just 11. Obviously parallels with our situation today, and Maggie confessed she related very much to Anne Hathaway, Shakespeare’s wife. She had needed to wait until her own son passed the age of 11, before completing the scenes of Anne sitting at Hamnet’s bedside, watching him die, laying him out for burial, mourning him for the rest of her life. Knowing that at any moment Maggie’s own children might erupt into the room, gave her responses both piquancy and urgency. And I loved the picture of her hiding in the Wendy House in the garden for a couple of hours to get some work done during lockdown.

Former Chief Medical Officer for England, Dame Sally Davies, with yards of qualifications and distinctions, gave the special John Maddox lecture about anti microbial resistance. It could have been way above the heads of most people, but she came across as warm and understanding, with a lovely sense of humour. She shared her palatial study with us, but took all the pretentiousness out of it by showing how her husband had hacked off more of her hair than she’d requested. And her slogan: ‘work together and wash your hands’ – had a ring of truth and realism that the official messages from the Downing Street podiums often lack.

A message from this pandemic which came across clearly was: work together towards a kinder fairer world. I came away with a sense of a shared strategy, a world-wide community, that no mere political aide flouting the rules could dent.

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Misery: Learning from a master storyteller

OK, I know, I know, the one thing we don’t need when life is so out of kilter during a pandemic, is depressing literature. Certainly none of my ‘death’ and ‘tragic options’ stuff –  you’ll have noted I’ve been steering well clear. But long before we’d even heard of Covid-19, back in those halcyon days when there was nothing to prevent me poring over psychological thrillers, searching for the magic ingredients that keep you turning the pages long into the night, I read a cleverly constructed thriller that impressed me. Now I think about it, it puts a whole different perspective on lockdown; imagine not just being isolated and captive in a remote place, but being incarcerated with a violent maniac! So I thought I’d share its merits with you today, not just because it has parallels with our present situation, but because it’s the product of an exceptional mind and an impressive facility with words.

REPORTED MISSING: Paul Sheldon, 42. Novelist best known for his series of romances about sexy, bubbleheaded, unsinkable Misery Chastain; by his agent, Bryce Bell. ‘I think he’s fine, Bell said, ‘but I wish he’d get in touch and ease my mind. And his ex-wives wish he’d get in touch and ease their bank accounts.’ Sheldon was last seen in Boulder, Colorado where he had gone to finish a novel.’

Paul Sheldon is a writer of novels of two kinds, good ones and best-sellers. Annie Wilkes is his number-one fan. When he’s involved in a car accident during a violent storm, he comes to after being unconscious and delirious with the agonising pain of two shattered – no, pulverised – legs, and a horribly damaged pelvis, to find it was Annie who dragged him from the wreckage of his car, and took him to her remote mountain home in Sidewinder, Colorado. Having crudely splinted his legs, she is caring for him with large amounts of pain killers which have the side-effect of suppressing his breathing, necessitating occasional mouth-to-mouth resuscitation.

About ten days after regaining consciousness he discovers a number of things about his ‘nurse’. She is in possession of a great many drugs of a dubious nature; she has already managed to render him addicted to one of them, Novril. She is dangerously crazy. Everything she says comes out in the wrong key.  She’s also given to frequent episodes where her mind goes blank. She has a volatile temper; she is a woman full of tornadoes waiting to happen. She has previously had to take the stand for some major crime in a Denver court of law …

And she has told no one he is in her house.

As Sheldon discovers the hard way, Annie is seriously mentally ill – hovering on the murky borderline between ‘the Sovereign State of Reality and the People’s Republic of Paranoia.’ What’s more, she is much more than his carer; she’s a stern critic of his work. When she discovers he has killed off her favourite character, Misery Chastain, heroine of a string of romantic bestsellers … that he has then gone on to write a story full of profanities, 190,000 words of it … she exacts a terrible penalty. And Sheldon can only lie immobilised, his vivid imagination in overdrive, his present reality and his future destiny growing daily more horrific.

Misery is the perfect title – shared by the principal character in Sheldon’s book, a pig on Annie’s farm, and the total experience of Sheldon’s captivity and torture.

Master storyteller Stephen King has created a  terrifyingly grotesque character in Annie Wilkes, and devised a fearful form of entrapment for his hero, Sheldon. Both are so brilliantly realised they inhabit the pages and suck us into their reality. And having experienced the lengths to which Annie will go to punish him, we live in constant fear of still more appalling things happening to Sheldon. We can have no confidence at all that the hero will escape a terrible fate or even survive the story.

I don’t want to spoil the book for you, but I do want to draw attention to a few devilishly clever aspects of the writing.

First the stories within stories. Inside the whole tale of Sheldon’s captivity and Annie’s revenge are mini-tales – what Sheldon’s literary character Misery Chastain is up to; what Annie’s Memory Lane scrapbook reveals of her former life.

When Annie ratchets up the torture, Sheldon realises he is doubly cursed. Not only are his sensitivities acutely tuned to pain, but his writer’s mind is destined to remember every tiny detail of the horrors inflicted on him. And in his analysing, he reveals technical tips about creative writing – some in response to his lived experience, some through his writing. He’s acutely aware too that his captor understands certain truths about what writers can and cannot do, even though she is unable to enunciate them in writerly jargon. A few examples will suffice:

… resigned to the fact that he could not read stories as he had when he was a kid; by becoming a writer of them himself, he had condemned himself to a life of dissection.

… not being sure of things  ... was a charmless corner of purgatory reserved for writers who were driving fast with no idea at all where they were going.

a gothic novel … more dependent on plot than on situation.

The reason authors almost always put a dedication on a book, Annie, is because their selfishness even horrifies themselves in the end.

He felt as he always did when he finished a book – queerly empty, let down, aware that for each little success he had paid a toll of absurdity.

It gives an extra dimension of reality to what could be a totally unbelievable tale. Except that in the hands of Stephen King you believe it could actually happen.

An ancient manual typewriter is central to this book and indeed features on the front cover of my version. King’s description is wonderfully evocative: It was an office model from an era when such things are electric typewriters, color TVs, and touch-tone telephones were only science fiction. It was as black and as proper as a pair of high-button shoes. Glass panels were set into the sides, revealing the machine’s levers, springs, ratchets, and rods. A steel return lever, dull with disuse, jutted to one side like a hitchhiker’s thumb. The roller was dusty, its hard rubber scarred and pitted. The letters ROYAL ran across the front of the machine in a semicircle …  it already looked like trouble. The ribbon was a faded two-tone, red over black … A real antique … with a missing n … the missing striker like a missing molar in a mouthful of teeth worn but otherwise complete.

And there are 26 pages of the text of a new book Paul writes on that same typewriter with the n strangely skewed where it’s been inserted ‘by hand‘, reproduced in the book, giving a very clever ring of authenticity. And later, when the machine loses its t, that too is inserted by hand. T: the second-most-common-letter in the English alphabet. Imagine the labour involved. Imagine the implications even for someone writing this novel on a modern computer!! When the key hammer for e eventually falls off, there is nothing for it but to resort to longhand. An exercise that rendered Sheldon’s hand almost useless, so the last few pages are typed on the hated machine with ns, ts and es all filled in ‘by hand’. It’s a masterly touch.

It’s a brilliantly conceived and realised horrifying thriller, but I must confess I found the closing few pages which constitute Part Four disappointing. Indeed I read them twice, thinking I must have been too tired, too distracted, or missed the point. And of course, that realisation – when it’s found in a work by one of the best selling names in the world – teaches me something in itself. Which is what my endless reading is all about.

 

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The front line: then and now

Health Minister and Conservative MP, Nadine Dorries, was the first member of parliament to be diagnosed with Covid-19. This was back in early March … at a time when there were only 382 reported cases in UK, only 6 people had died. Halcyon days, huh? Less than two months later, we’ve already exceeded 26,000 deaths!

The news about Ms Dorries triggered a memory: I’d read somewhere that she was a trained nurse, and intrigued, I’d bought two of her ‘nursey’ novels in a coffee shop on my way to Wigtown, Scotland’s National Book Town a couple of years ago, stuck them on my shelves, and promptly forgotten about them – The Angels of Lovely Lane and Christmas Angels. Time, methinks, to dig them out and read them … a kind of tribute to the nurses today working so hard to care for people with the virus in a very different world.

I must confess neither the genre, nor the style of writing, are ones I’d normally go for, but there were aspects of these books that gave me pause for thought and sober reflection. These nurses were practising not long before I trained; their experiences resonated with me. Rather like BBC1’s drama, Call the Midwife.

Reading about and recalling those days made me so grateful for all that modern medicine and social care can offer today. How far we have come from those days when
– the NHS was in its infancy
– antibiotics were wonder-drugs
– women had limited career options
– smoking was the norm
– lecture notes were written on typewriters using carbon paper
– rubber tubing was boiled before being inserted into various orifices
– patients were lifted manually
– doctors were revered and all powerful
– women died or were imprisoned following illegal abortions
– ten days bedrest was de rigeur after a simple D&C; three weeks after childbirth
– nurses wore starched collars and frilly caps, always kept their hair off their face tucked inside their caps, lived in hostels with rigid rules, and were all known by their surnames
– silver buckles on petersham belts denoted qualifications
– the Irish were openly discriminated against …

Compare all that with communication, technology, medical expertise, opportunities, science, in 2020. What would have happened if the dreaded coronavirus has struck then?

In her fiction centring on Liverpool in the 1950s, Nadine Dorries has captured a world I knew, and for a few days took me away from the uncertainties and restrictions and anxieties of our present situation, to a bygone era. Memories both happy and sad. But overwhelmingly reasons to be devoutly grateful for what’s available to us today, and the amazing work our front-line staff are doing – and are able to do – to beat Covid-19.

 

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Unprecedented times

We’re repeatedly reminded that we are living in unprecedented times, the normal rules of engagement don’t apply. And indeed nobody can be unaffected by the restrictions, embargoes and uncertainties caused by the Covid-19 pandemic. They have the capacity for making us look more closely at what really is important in life.

Maybe it’s that sense, or maybe it’s because we’re being reminded every day of the frailty of human life, but I have this week broken the habit of a lifetime … swift intake of breath … yes, it’s true. And that is …? I have abandoned a book a mere one third of the way in. Me!! Someone who prides herself on always … ALWAYS … giving a book the benefit of the doubt until the very last page! As I say, normal rules of engagement don’t apply right now.

With all this extra time at home, and an unusually empty diary, it seemed like a good idea to delve into the terrible hardships endured by Jewish partisans trapped behind enemy lines in occupied Russia during the last years of WW2. The unimaginable hardships they endured before and during their time in the ‘republic of the marshes’ – gut-wrenching deprivation, torture, imprisonment, starvation – that would surely put our present situation into context. So I duly settled down with Primo Levi‘s modern classic, If Not Now, When?

OK. There are some lyrical passages … the story comes from the heart and Levi’s own lived experience (among other things he was a holocaust survivor) … but oh dear … I struggled to maintain concentration. And it’s hard to pinpoint exactly why.  Is it because there’s so much going on in real life right now that’s taking up brain space? Is it because dark novels aren’t what we need when today’s news is full of grim statistics and dire predictions? Is it because our present emphasis on people coming together feels so much more edifying that a tale of nations and people in conflict? Or is it the book itself? Would it have defied me in more normal times? I don’t know.

Suffice to say that I believe I’d have persevered at any other time – on principle, if nothing else! But not now. Life feels too short, and I have plenty of other books calling me.

But not as many as I had last week. Because, in a spirit of community support, I’ve set up a bookcase at the end of our driveway, and each day I put a selection of books, DVDs and CDs out, with a notice inviting anyone to help themselves by way of distraction for lockdown.

And passers by are availing themselves of the opportunity every day; some leaving a little message, or throwing an appreciative message across the road at the Thursday clapping for the NHS and key workers. We’ve even had someone expressing interest in having the bookcase when this is all over!! And last night someone asked if her friends could add books and jigsaws to the shelves. Brilliant. I’m delighted that people are finding the time to read, that books still appeal. And there’s an added bonus: I’m freeing up space on my own shelves at the same time. If not now, when? It’s an ill wind …

Stay safe, everyone.

 

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