Hazel McHaffie

Edinburgh

Literary triumphs

I have the great good fortune to live just outside one of the most famous literary cities in the world: Edinburgh. Numerous well-known writers have – and still do – stalked its streets, culled from its haunts, woven its magic into their books. I’ve been thoroughly enjoying exploring its streets all over again taking visitors to see its picturesque closes and wynds and courtyards and beautiful buildings – including The Writers’ Museum pictured here.

And as we gear up to the biggest international arts festival in the world, it seems an appropriate time to add my own homage to one of the most enduring names in fiction ever: Emily Brontë, whose special bicentennial anniversary we remember this year.  Wouldn’t she herself be completely stunned by all the hype!!

Two hundred years ago, in 1818, this girl was born in Yorkshire into obscurity, the fifth child of an impoverished clergyman and his wife. She was a weak timid little thing, who found school too daunting, so she spent her childhood at home reading avidly and scribbling stories and poems of her own. A brief skirmish with teaching in her adult years in an effort to contribute to the family’s meagre income met with similar discord, and back she went to the peace and anonymity of the rectory, and the quiet influence of a bookish, creative environment.

So oppressed were women in her day that she and her sisters, Charlotte and Anne, all published their writing under male pseudonyms. Emily’s was Ellis Bell. Much they wrote sank into oblivion, but, as I’m sure you know, her one outstanding work, Wuthering Heights, published in 1847, proved hugely popular and remains a classic to this day.

Having already lost three siblings and her mother, Emily’s young life was overshadowed by struggle, death and despair, and perhaps it was that which coloured her own writing, and lead to the melancholy tale of bleak love and dark revenge we know and revere today. Heathcliffe has to be one of the most bitter, haunted and vengeful fictional heroes of all time.

How sad that this reclusive figure didn’t live long enough to see her creation achieve success; she was a mere thirty years of age when she caught a chill at her brother Bramwell’s funeral, developed TB and died, six days before Christmas. But how doubly heartening that the world pays tribute to her still.

And now I’m preparing for a whirl of amazing cultural experiences as we take friends and relations to the huge range of performances on offer. All this on our doorstop … most fortunate indeed.

 

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Hazards aplenty

As they say, no experiences are wasted for a writer. Not even negative ones.

It’s that time again – the annual giant Christian Aid Sale held in the splendid premises of St Andrew’s and St George’s West Church in the centre of Edinburgh. Selling thousands upon thousands of books, art works, ephemera, music, their aspirations are as high as their steeple: it’s always mobbed, and I, as any writer would, rejoice each year that physical books are still so very much alive.

Each year I go at least twice – once to deliver copies of my own books (as requested) before it opens, once to buy – and every time I’m staggered at the number of helpers involved, cheerful kindly people who don’t bat an eyelid when someone asks for a specific title or six, or hands them a large note expecting lots of small change. Such calm under pressure is a joy to behold. This time my second trip was about an hour after the doors opened. First impressions were fantastic – bright sunshine, happy fresh assistants, orderly boxes of books, hundreds of avid readers milling everywhere. The gangways between the trellis tables are narrow so you don’t need to be squeamish about bodily contact, and you are expected to take responsibility for your own health and safety – unmarked steps, dips underfoot, minor obstacles aplenty. But the atmosphere is relaxed and convivial, and there’s plenty of give and take.

So black marks to the folk who parked empty wheelchairs and buggies right across pathways, who thought it expedient to gather right beside the tables to natter, who spread their possessions over the boxes while they browsed denying others access, or who left their long-suffering husbands on corners necessitating inconvenient detours down steps and onto the road. And a special penalty to the two who trundled enormous hard suitcases right through the masses with sublime disregard for ankles and shins – yep, I was one of the victims. But I escaped with no lasting damage and a modest collection of purchases, and I raise a salute to the wonderful people who give their time and energies so tirelessly to this excellent cause and come up smiling.

Rather stupidly I went with two specific authors in mind – Stephen King and Mary Elizabeth Braddon – and before you ask, no, I certainly didn’t ask any of the volunteers for them!  There was no evidence of either, but I was thinking about King as the bus trundled me home. He has a neat way of expressing what I’m thinking about. Take this thought:
I’ve always wondered who I am when I write because once I’m doing it, I’m not in the room with myself.
It takes me a while to find myself again after an intense period of writing, and it certainly did the following night when I was deep in a psychological discussion with my characters.  Only vaguely did I become aware of a rumpus outside … raised voices … smoke …  hello? DJ had managed to set the garden shed alight and the air was alive with the sound of helpful neighbours sounding warnings and thick acrid smoke! By the time I’d re-entered the real world, DJ had the garden hose on full-tilt, damping down the smouldering structure, someone had called the fire brigade, and a crisis had been narrowly averted. I was left with no role other than redundant spectator. As the reassuring operations commander said, surveying the canisters of gas, tins of paint and fuel, and sundry other inflammables, laid out on the path afterwards: it could have been a whole lot worse. So, again, not much significant damage mercifully, but a few revisions to the to-do list and some changed priorities.

I might be dealing with mounting horror in my fictional world but it’s still a safer place than the here-and-now it seems!

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Let’s hear it for the book!

It’s May … Christian Aid week again … which means the monarch of all secondhand book sales. Each year the St Andrew’s and St George’s West Church in George Street in Edinburgh hosts this fantastic week long event to help address world poverty. Since it started in 1974 the sale has raised in excess of £2m for the charity.

Preparation goes on for weeks beforehand involving over 500 volunteers, local authors bring along signed copies of their work, some people bequeath whole libraries to them, countless anonymous people donate their discard-able tomes. And by the time the doors open to the public, over 100,000 books of every kind fill the sanctuary, balconies and both courtyards, rare and valuable items rubbing shoulders with the run-of-the-mill. 100,000 books! Bliss.

Unusually this year I went along on Saturday’s opening day just half an hour after the doors opened. There was already an excited buzz outside on the pavement …

as well as inside …

Plenty of ‘excuse me’s, jostling elbows/large bags, competitive reaching. Long arms and good vision a definite advantage.

This early on there was good evidence of order with books by the same author gathered into boxes, and I could only dimly conceive of the mammoth task that involved. And yet I still heard one customer asking if they were arranged in alphabetical order! The remarkably tolerant volunteer said apologetically, ‘Sorry. There just wasn’t time for that.’ Bless her. Of course, it was the beginning of the week long effort … and the rain was holding off … and the snell east wind had abated. She could still feel her fingers and toes and didn’t have rain dripping off the polythene covers onto her trousers. But even so.

So the customer must tour the tables, row after row after row of them, grouped under banner signposts to find the titles they’re after. Specialised non-fiction tomes and sets varying in price; most hard-cover novels £2 a pop; paperbacks £1. Amazing bargains. And I’m sure many people cheerfully stump up far more than the asking price.

Inside the stalls range from the obscure to the classical and there are phenomenal bargains to be had. Having just read about the illuminators of ancient Turkey, this intriguing book held my attention.

But despite the serious temptation, I limited my own purchases to one carriable-home-on-the-bus bag which included these novels …

 

 

 

 

 

 

 

But my biggest kick came from standing on the balcony watching all these earnest browsers digging into boxes on every topic you can think of. Wanting, buying, loving books! Yep, the real hold-in-your-hand hard copy book is certainly nowhere near in terminal decline. Half-way round I beat a retreat to the basement cafe to fortify myself for a second wave of literary rummaging and then discovering more lovely and unusual finds in the antiques and collectables department.

Huge congratulations to all who sustain this brilliant endeavour.

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Are you sitting comfortably?

May Bank Holiday included a couple of National Trust properties for me this year – Cragside House in Northumberland and Acorn Bank in Cumbria – fascinating places with rich histories, each in their own way evocative of a bygone age. So I thought I’d give you faithful followers a little holiday too, take you to some wonderfully inviting places to sit, to write, to read, simply to meditate. (Apologies for the quality of some of the pictures – taken on my iPad so limited control.)

Imagine for yourself what the peace, the serenity, the ambience, would conjure up in your mind.

At Cragside

A sumptuous Victorian Country house, the first in the world to be lit by hydroelectric power. So let your thoughts roam free as you …

sit surrounded by fantastic gardens …

in elegant rooms …

beside roaring fires …

in the midst of enormous wealth and inheritance …

looking over fabulous views …

Acorn Bank

A virtually empty-at-the-moment 13th century building spanning occupancy by the Knights Templar through to the Sue Ryder Foundation before becoming a national treasure. So imagine again where your thoughts would roam …

sitting in a chair once occupied by a renowned writer …

snuggling up in window seats …

Feel any historical novels coming on?!

How about sitting alone in the fragrance of a well stocked herb garden …

The NT are alive to opportunities; I found seats beckoning me everywhere I went. What’s more the beautiful dovecot building at Acorn Bank has been given over to reading. It houses secondhand books alongside a lovely comfy chair and even 3-for-2 offers!

What more could a writer visitor from Scotland ask for? Well, maybe a book about Edinburgh …

Happy days.

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The Resurrectionist

On Monday this week I stood in front of the real skeleton of the legendary body snatcher/anatomy murderer William Burke. I had to stand still and quiet to absorb that fact.Anatomical Museum

We, a small number of writers from the Society of Authors, were being given a private conducted tour of the Anatomical Museum in the old Medical School in Edinburgh – a fascinating visit. In a former life I’ve given many a lecture (though never a dissection!) in the steeply-tiered theatre in that same building where anatomists used to do public demonstrations on human corpses, but this was my first trip to the third floor.

It’s quite spooky to be inches away from all these remains – bones, cross sections of various parts of the anatomy, pickled organs, even a full size corpse from the 1880s showing the lymphatic system filled with mercury – and realise that these were once actual living breathing people. OK, some of them may have been vagabonds and criminals, some of them solitary unloved creatures, nevertheless they had beating hearts and brains and thoughts and motives and rights. So it’s hugely reassuring to hear that today these human remains are being treated with enormous respect and care, and that they’re protected by strict ethical codes (hence no photos). I couldn’t help a wry smile standing in front of Burke’s bones though. Ironic that, in death, this man, who was hung for his crimes at the age of 37, is now being accorded far more reverence than he ever showed others during his life, although of course, his hanging took place in front of a crowd estimated at between 20,000 and 25,000 in spite of the torrential rain, and the following day his body was publicly dissected in the anatomy theatre of the University’s Old College (now the Faculty of Law buildings). We’ve come a long way since those barbaric days.

Standing in the austere and echoing back courtyard where bodies were smuggled in to the medical school three hundred years ago … listening to tales of the great anatomists who are honoured still … putting flesh on the bones and muscles and organs in front of me … my mind went back to an evocative account …

In their sacks they ride as in their mother’s womb: knee to chest, head pressed down, as if to die is merely to return to the flesh from which we were born, and this a second conception. A rope behind the knees to hold them thus, another to bind their arms, then the mouth of the sack closed about them and bound again, the whole presenting a compact bundle, easily disguised, for to be seen abroad with such a cargo is to tempt the mob.

A knife then, to cut the rope which binds the sack, and, one lifting, the other pulling, we deliver it of its contents, slipping them forth onto the table’s surface, naked and cold, as a calf or child stillborn slides from its mother. The knife again, to cut the rope which binds the body to itself, the sack and rope retained, for we shall use them again, much later, to dispose of the scraps and shreds.

The ResurrectionistSo begins James Bradley in his novel The Resurrectionist, a dank, fetid, bleak tale of corruption and murder, which has received a lot of very bad reviews as well as the accolade of being a Richard and Judy Summer Read.  The year is 1826 (the same era I was in at the Anatomical Museum). Gabriel Swift has arrived in London to be apprenticed to the great anatomist, Edwin Poll. Step by step we follow him as he washes the bodies methodically with water and rags and vinegar, ‘wiping the grave from these stolen dead’, noting as he goes with an almost forensic eye the markings and emissions and anomalies. Just as methodically he shaves them, tidies away the sacks, rinses and dries the rags, writes up the accounts.

We watch with his scientific curiosity the careful incisions, internal explorations, surgery, autopsies. We accompany him out to a silent wasteland where no birds sing, the barren earth scorched and filthy, the barrows disguised with wood heaped upon the sacks of human remains for their passage through the streets. And see the hell of a pyre fire spitting and crackling where it encounters human fat; flesh bubbling and blackening; limbs jumbled, broken, burning; oily black smoke clinging to clothes like a stain as the remaining embers are beaten until all the evidence is obliterated.

It’s a brilliantly evocative opening chapter, the Dickensian style of writing perfectly fitting the times, the context, the nature of the profession. But perhaps more macabre still is the rest of the book, viewing life through the eyes of a grave robber, a murderer, eeking out a meagre living in an age where life is cheap, seeing how boundaries for what is acceptable can become increasingly blurred. Bradley’s writing, his unusual perspectives, bring to life the darkly seamy and sinister underworld of Georgian London in the 1800s, the abject poverty of the underclasses, when a ha’penny piece would buy you enough food for a week and enough opium to deaden the hateful aspects of everyday life.

The ResurrectionistLife for Gabriel becomes increasingly compromised as competition for bodies, and questionable loyalties, challenge his moral code. He finds himself drawn to his master’s nemesis, Lucan, the most notorious and powerful resurrectionist and ruler of his trade in stolen bodies. Now he lives constantly under the threat of imminent detection, arrest, hanging, keeping company with evil traitorous men and desperate prostitutes.  ‘No one refuses‘ the offer of bodies though they be increasingly fresh, mutilated even, decidedly suspect. Life is indeed cheap.

Little by little we see how easy it can be to segue from witness to spectator to collaborator to active participant. Gabriel moves ever deeper into crime until even murder becomes ‘such a small thing, to take a life‘, no harder indeed  than drawing a tooth. Asking himself why? ‘I did it because I could.’ ‘I should care I know, but I do not.’  In his head he manages to distance himself from the act of killing, even whilst acknowledging that by doing so he has now moved outside the boundaries of decent civilised society. But in time, years after the event, he feels ‘a sort of hopelessness, a loathing for this thing I am, this half-thing of lies and circumstances’. He feels compelled to reinvent himself and eventually concludes: ‘It is so easy, to forget one’s self, to mistake the masks we wear for the truth of us’.

I’m not at all sure Bradley intended this to be a moral tale, but it holds salutary lessons for us all, to take stock, and not let ourselves become insidiously brutalised. Far better not to begin that process by condoning the dubious; be neither a passive witness nor a party at any level to anything unseemly or wrong.

So, did I enjoy it? Yes, I did. Would I recommend it? Yes, I would. Admittedly it’s rather thin in places, disjointed at times, and you need to work at keeping the secondary characters firmly in their place, but it captures a grim time and place too often romanticised by writers. Hats off to a man brave enough to tread a bleaker truer path.

 

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It’s all relative …

Phew! It’s been quite a week.

My mind has been split too many ways for its own good, juggling preparation for a number of forthcoming speaking appointments all on different subjects, as well as finalising the text and cover of Inside of Me, plus a variety of other demands outside of my writing life. I confess I’ve felt unusually cross-eyed, and tense, and generally discombobulated.

I won’t bore you with the detail, except to share the most exciting development: the cover of Inside of Me is now chosen! Yeah! It’s been unusually tricky getting it right this time, but thanks to a very patient designer, Tom Bee, who provided lots of choice and properly listened to my quibbles, we have a striking end result that feels good. I’ll share it with you as soon as it’s finalised.

The Dean's DiariesSo, in the midst of all this angst, it was something of a welcome escape to go to a book launch for Professor David Purdie‘s latest offering: The Dean’s Diaries, held in all the magnificence of the Royal College of Physicians’ premises in the centre of Edinburgh. I found myself in august company. Purdie himself is a well-known and brilliant raconteur and was both witty and amusing on this occasion, offering, like Peter Ustinov, ‘all the various accents for his superb mimicry; and the rare combination of brevity of language with breadth of expression‘. Enviable skills.

His latest slim volume is a compilation of observations and anecdotes by the Dean of Edinburgh’s fictitious St Andrew’s College, ‘renowned for its academic oddity, interdepartmental warfare and explosive disasters‘. A happy blend of fact and fiction. I defy anyone to read it without laughing aloud. Clever, heretical, irreverent, stunningly good writing. A real tonic. Guaranteed to lift the spirits and banish tension. Just what I needed. Oh, and the Dean reckons that ‘Disparate activities, especially if novel, are apparently useful in staving off the onset of dementia … and … keeping the old frontal cortex ticking over‘, so perhaps I should be embracing more challenges not seeking less.

Alexander McCall Smith (who appears in the book as himself) was to have chaired the evening, but in the event he was in India … ahhh … therein lies a salutary and timely reminder. His life puts my present little alarms and excursions firmly into perspective. Sandy is probably the most prolific author I know personally, his daily word output is phenomenal, he’s constantly in demand as speaker/reviewer, juggles innumerable interests, and travels the world on a regular basis. And still finds time for friends and colleagues. Does he ever sleep?

OK, McHaffie. Take a big breath. Break down the tasks on your puny little list into manageable pieces. Tackle each one systematically. Tick them off; reduce the pressure.

There you go. Calm restored. Thanks to two professors and a hefty dose of laughter.

 

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Mental health

The Orchard gardenI’ve always been conscious how borderline I am psychologically-speaking. I didn’t dare dabble in psychiatry during my training; the dividing lines between health and pathology seemed far too fragile and close to home!

So being immersed in a novel about mental health issues, living inside the skin of characters with self image problems, has been a somewhat precarious occupation for me. It was imperative that I should burrow deep inside their minds in order to understand how they would speak, act, react; I frequently got the there-but-for-the-grace-of-God feeling. So when I saw the Doors Open programme for this weekend, the Redhall Walled Garden in Edinburgh’s Colinton Dell jumped out at me and topped my list of paces to visit.

The garden itself dates back to the 18th Century but for the last 27 years it’s been operating as a Scottish Association for Mental Health facility. Trainees (as they are called) attend for at least three days a week building up to five, and they work in gardening, IT, administration and health awareness. In their own words SAMH ‘provides conditions for growth and positive mental well-being and works to create a safe place when people are experiencing distress.’

And indeed it was a remarkably peaceful place to wander around. I lingered particularly in the secluded seating areas, absorbing the atmosphere, picturing my characters huddled there, hiding there.

The Summer houseThe Sunken GardenThe RoundhouseI too felt safe and calm.

I rather wish I’d known about this little haven before I started probing my own depths for Inside of Me!

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‘All morning putting in a comma …’

Well, that’s the general election over for another time and what an event it was! I confess I was not one of the enthusiasts who stayed up all night watching, but I did pop in and out on Friday morning to listen to the sound of big names crashing, big egos admitting defeat, big promises being dissected, history being made.

Molly Malone

Dublin’s Molly Malone

In between I revised all the dialogue in my current novel spoken by a minor character, one Mrs Kaetlyn O’Leary who hails from Ireland. At the beginning of the week I immersed myself in a lot of stuff about just how to capture the lilt and idioms of that musical tongue; then I went through the prose meticulously introducing the telltale patterns every time she spoke: ‘he went away, so he did’, ‘sure, and you’ll be after doing it yerself’, ‘it’s meself that’ll be doing that’ and so on. Then in the middle of the week I read a whole lot more bumpf about how folk are put off by thick accents, how hard it is to get it right, and I went completely off the idea again. So out it all came on Friday. I was reminded of Oscar Wilde who famously said, ‘I’m exhausted. I spent all morning putting in a comma, and all afternoon taking it out again.’ Thing is, I’m not at all sure Kaetlyn O’Leary’s voice is her own even yet, but I’ve put it to one side for the time being.

I’m getting close to the end of the book now – only about 2 or 3 chapters to go – which means that any changes I make have wide ranging consequences. Very soon I’ll have to spend my working days reading … re-reading … re-re-reading … ad nauseam, checking the authenticity and consistency of each voice, weighing up the value of each sentence, losing favourite phrases and paragraphs. Kaetlyn will probably go through several more metamorphoses – she might not even remain Irish! Fortunately for me I really love the editing phase.

Christian Aid book sale - queue on first dayAlso this week I boosted my spirits by attending the first hour of the first day of the renowned annual book sale in St Andrew’s and St George’s Church in Edinburgh, featuring over 100,000 books – the biggest Christian Aid fundraising event in the UK; largest charity book sale event in the world in fact. It’s such an encouraging experience for an author. I joined this queue three-deep that, by 10am when the doors opened, stretched all the way to the end of the pavement in George Street.

Christian Aid booksale -  inside churchThe boxes of books are lined up on rows of tables inside the church on two levels, sorted into every conceivable subject areas – a labour of love in itself. (Thanks to my son who provided this photo – much better colour balance than mine.)  Standing up in the balcony I couldn’t help but marvel at the energy and commitment of the folk behind the scenes masterminding this extraordinary event year after year – it has taken place annually since 1974!

Christian Aid book sale - outside stallsOutside in the courtyard all around the building are thousands more books. A crush of keen bookworms jostle for space as they determinedly scan the spines for something new and exciting, some even on their knees under tables seeking specific treasures. Yes, indeed, the book as we know it is very far from dead. Long live the book!

 

 

I came away with warmth in my heart and My bargain booksfour books I’ve been wanting to read in my bag. I limited myself this year – well, my tbr pile is already toppling over, and my shelves are threatening to sag under the sheer weight of novels lined two deep all along them. The sale finishes tomorrow so that’s it over for me – but spare a thought for the army of book-lovers who will toil away on Saturday to remove everything left behind and prepare the church for morning worship. There’s dedication and commitment for you.

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Stocktaking

As one year ends and an unknown year opens up in front of us, it’s a good time to take stock, isn’t it? But it’s all too easy to get things out of perspective.

SadNow, you (probably) and I (definitely) both know that self doubt and angst are a recognised occupational hazard for writers – well, accumulated humiliations and rejections of various kinds, and multiple petty blows to the ego, don’t exactly put one in the party spirit, do they? So it maybe won’t come as any surprise to you when I confess that I was feeling rather despondent recently about the constant struggle to achieve sales targets and get the latest book noticed.

Bucked upBut then I found Melissa Benn‘s article: Survival of the fittest, in Mslexia. What a tonic. She knows personally all about the agonies of tiny queues for signings, poor reviews, miniscule audiences, patronising jibes, totally negative feedback, being ignored by the marketing department, the demise of the mid-list author, diminishment … her list is pretty exhaustive. Merely seeing these negative experiences acknowledged as commonplace takes some of the sting out of them. And her encouraging tips on how to survive were balm to my soul. As she says: ‘the most significant difference between a writer and a would-be-writer is simple bloody-minded persistence.’ Persistence? Yep, that I can do.

ChastenedI was also chastened. I haven’t actually suffered any public abuse or vitriol such as some of the authors she quotes have endured (not yet at any rate!) so I’m instantly berating myself for allowing lesser things to bring my spirits low. I have no right or cause to wallow in self pity. Shoulders back, head high, woman!

And then there was an interview with crimewriter, Ian Rankin. He’s in his early 50s, lives in Edinburgh, and has sold over 20 million books. He’s a success. He’s a rich man. Readers queue twice around the block to hear him speak or get his signature. Our paths cross occasionally but he’s in a completely different league from me. He certainly wouldn’t recognise me if we met in the street, I’m sure. However, it took him a good 14 years before ‘money became a happy factor‘ in his writing career. And behind his present fame and fortune lies private tragedy. He says he’d give all the money he has so that his second son, Kit, didn’t have the severe disability he has (Angelman Syndrome).

HopefulThis little story puts my anxieties about book-related issues into a much healthier context. Do sales figures really matter in the bigger scheme of things?  Does anyone suffer because I overlooked a typo? Who benefits if I lose sleep anticipating possible criticism or a vanishing audience? I recall Alison Baverstock saying, think in terms of gaining one reader at a time and appreciate each book sold, rather than feeling crushed by grandiose expectations. By now my mental shake is having an effect.

Sanguine againAnd then some lovely people booked me for various author appearances. Thank you, guys! Flagging morale significantly boosted. See, it doesn’t take much to reverse the trend.

Besides, it being a new year, I’ve resolved not to try not to get myself ridiculously overloaded with busyness, anyway. As Ruby Wax (who, don’t you know, holds an MA in mindfulness-based cognitive therapy from Oxford and knows a thing or two about mental health) said in an end of December interview for the Telegraph on the secret to a happy new year: ‘happiness is not a shiny 2014 diary already clogged with meetings, phone catch-ups and must-do errands‘: we’re happier when we’re calmer and taking life steadier. That’s a pretty good idea to hang onto as we launch into a new year, I reckon. Me more than most.

So here’s to 2014 … and more peace and giving and understanding and loving in the world. I hope it’s a terrific year for you: healthy, happy, productive and contented.

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Official – in possession of a press pass!

August always promised to be a busy month. The Edinburgh International Book Festival – officially the ‘largest public celebration of the written word in the world‘ – is one of the highlights in my literary calendar. And it’s on my doorstep! This year it runs from 11-27th, but I always book tickets way in advance, as soon as they’re officially available, and even then some aren’t obtainable – an ongoing mystery to me.

But this year the month has just become a whole lot more exciting because I’ve been invited to be one of a team of official reporters at it! How cool is that? But … How come? I hear you cry. Good question.

Well, earlier this year the ESRC Genomics Forum organised an evening Salon where I was interviewed about my novel Saving Sebastian and the issues it deals with (watchable here). They subsequently asked me to write a guest post on their blog Genotype, which I duly did (here). And on the strength of that these same kind folk have now invited me to dip a toe into the dubious world of journalistic reporting for a fortnight. They were lovely people to work with, so I’m chuffed to be collaborating with them on this venture.

Basically what it entails is attending events – most of which I was going to anyway – and then blogging about them on Genotype. I even get a press pass! I’ll try not to let it go to my head.

In odd moments when I’m not fulfilling all the other commitments-that-I-wouldn’t-have-taken-on-had-I-known-about-the-extra-blogging, I’m trying to read a few of the books beforehand so I don’t come across as a complete twat. Time will tell.

My Beautiful GenomeOh, before I forget, I must share a gem with you from one of them (My Beautiful Genome) which I came across yesterday: ‘Whether you are a flu virus, a slime mold, a manatee, or a manager, your genetic code contains the same components.’ The author is a self-confessed specialist in sarcasm and bordering-on-cruel-honesty, but I can think of several situations where this knowledge could be applied with great satisfaction. OK, so I have a cruel streak too. I blame my genome.

But for now … well, this afternoon I and my unique double helix are off to give ‘a taste’ of Saving Sebastian as part of the Writers at the Fringe series of evenings organised by Blackwell’s. They’re free events but ticketed; five authors each evening, 6-8pm every Thursday in August.

To get a sense of the event and what works, I went to listen to the four authors and a songwriter who kicked off the series last Thursday. The line up included names like Sara Sheridan and Louise Welsh – and Iain Banks, probably the most famous, is listed for week 3 – so hats off to Blackwell’s for attracting real talent. To find 25 authors willing to commit to this in August is no mean feat in itself.

Is there any better city to be in than Edinburgh in the summer if you’re a writer or book lover? I doubt it.

 

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