Hazel McHaffie

Erwin Mortier

Critical input

Edinburgh floral clockSo, we’re into the last few days of the Festival here in Edinburgh. Next week, after a grand finale firework spectacular on the evening of the 31st, this seething, happening, nothing-surprises place will metamorphose back into our quiet and dignified capital.

Levitating figureBook Festival placard

 

 

 

 

 

 

 

Since I wrote my last post I’ve been to an opera, several more dramas, and a couple of book events – including one where Marion Coutts was speaking (I reviewed her book, The Iceberg, about the death of art critic Tom Lubbock a couple of posts ago) alongside award winning Belgian, Erwin Mortier, whose book, Stammered Songbook, recounts his mother’s descent into dementia. My workaday kind of topics. However, I must admit the most valuable thing I brought away from this session was what not to do on the platform!

Edinburgh Book Festiival 2015But hey, what of my own writing, you may well be thinking? Well, good news! It took another giant stride forward this week.

As you know, I’ve had really helpful feedback from experts on limited sections of the novel, but that only takes me so far; I also need critique from people looking at the whole story and from a general readers’ perspective. So six very insightful and well-read ladies belonging to a bookclub already known to me, have been reading the first full draft of Inside of Me, and on Tuesday I went along to hear their verdict. They were tremendously positive and encouraging but I picked up some very useful pointers for improvements.

Now my task is to think through the wealth of suggestions from all quarters and decide what to revise, what to delete, what to leave alone. And I’m confident the end result will be a better, stronger book than that first draft.

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