Hazel McHaffie

Harlen Coben

Exotic island or private library?

Some writers fly off to exotic islands or remote mountains; some hide away in huts miles from any internet connections or distractions; some spend six months trawling through microfiches and dusty archives. All in the name of authenticity and accuracy. To get in the zone.

Me, I’m knee deep in books which might inform the two stories I’m currently working on. Trips to special locations remain somewhere in the hazy future.

The hypocrisy and mores and prejudices of the upper classes? Julian FellowesSnobs or Past Imperfect will do nicely, thank you.

A bit of terror and psychological trauma? Harlan Coben or Robert Goddard are my go-to choices.

 

 

 

 

 

 

 

 

 

A blend of ethical dilemmas and fiction? Diane Chamberlain, Jodi Picoult, Heather Gudenkauf will keep me out of mischief.

Everyday life in bygone eras? Biographies about Dickens, Jane Austen, et al are guiding me nicely.

 

 

 

 

 

 

 

 

 

 

I can pick up and put down, browse or flick, all while I weave in and out of domestic responsibilities and grandparental excursions during the summer season. All without roaming further than my study/library door. No jet lag, no tummy upsets, no grappling with weird currencies and incomprehensible languages and dodgy local mores. And I’m still free to whip into town for Festival performances and assorted exhibitions. Perfect.

 

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Thriller writing

It was probably a throwaway suggestion: ‘I think you should make your next book a thriller‘, but it’s stuck in my mind – especially as it came from someone in the book world whose opinion I respect.

Well, OK, I’m prepared to consider it at least. But first I need to understand what’s involved. Would my ideas thus far fit into this genre? Do I have what it takes to master this kind of writing? So I’ve been delving into the theory; what I’d need to do to create a good thriller. To date I’ve identified seven essentials.

1. Use dread and frightening possibilities to drive the story.

2. Make it action-packed from the outset. Maintain urgency and tension (short paragraphs, cliff hangers, surprises, active verbs, each chapter revealing something new, etc etc) throughout. Include confrontation.

3. Make the stakes high. Give the bad guys seemingly justifiable aims too.

4. Keep the reader guessing till the end.

5. Give the protagonists lots of baggage and emotional complexity, something to fight against and triumph over. Make sure they endure plenty of grief and anxiety along the way. Some characters at least shouldn’t be what they seem to be. Avoid stereotypes.

6. Build dramatic tension by means of multiple points of view.

7. Have an unforgettable take-home message/meaning.

ThrillersOK, some at least of the basics.

I’ve read plenty of thrillers over the years; indeed I’m a big fan of both Harlan Coben and Robert Goddard, but I fancied testing the theory using something new to me … Hmmm, how come I have so many unread thrillers on my shelves? … Right, let’s choose something with rave reviews … an acknowledged masterpiece … and maybe something medical?

Brilliant. Flashback by Michael Palmer, a qualified doctor cum very successful writer? Fits my bill perfectly.

Young neurosurgeon Zackery Iverson has left an understaffed, under-resourced hospital and dedicated team of colleagues to return to the place where he grew up, leaving behind a broken relationship and almost all his belongings. His new workplace, the ultramodern rejuvenated regional hospital in Sterling, New Hampshire, is thriving under the leadership of his older brother Frank. State of the art equipment, a growing team of specialists, ultra modern facilities, a veritable ‘juggernaut of technology’. Sounds impressive, but where is the heart?

Zack becomes increasingly concerned about the policies and politics behind the veneer of success. How can the hospital board own so much property? Why are poor patients shipped elsewhere? Why is a very senior doctor claiming harassment and a campaign to get rid of him? Why can a young patient recall events when he should have been anaesthetised during a routine operation? Why is Zach’s new friend and colleague, Suzanne Cole, so alert and bright immediately after her surgery; and why is she behaving erratically now? And why is Zach’s own brother resurrecting childhood rivalries?

Old doubts and insecurities raise their heads. Is Zach being naive and idealistic? Is the cut and thrust of a modern medical ‘business’ simply not for him? Should he have stayed as a champion of the underprivileged and poor?

Child's disturbed bedA growing sense of dread starts to unravel in his head when he’s called in to work with 8 year old Toby Nelms, a boy who’s so disturbed he’s stopped speaking, is having nightmarish flashbacks, and is wasting away.  Why is this lad so terrified of hospitals? How does he know about Metzenbaums? – only staff working in an operating theatre would use the word. There can be only one answer: somehow Toby was awake during his surgery for an incarcerated inguinal hernia. But how could he be? And how much of his suspicions dare Zach share with Toby’s desperate mother?

Could some of his colleagues be monsters masquerading as caring physicians and nurses? Is his own brother somehow implicated? Just where do the ethical boundaries begin and end?

Yep, I’d say this fits all of the above criteria. Thrilling! Unputdownable. I’m hooked, reading long after I should be tucked up asleep.

FlashbackBut I note something else important. There are lots of characters and subplots in this story – hard to keep a handle on initially, but gradually they become rounded out and emerge as … the shrewd controlling judge … the anaesthetist with a secret unsavoury history … the cardiologist with an abusive ex-husband and a young daughter … the nanny who has served her family faithfully but is now threatened with a nursing home … the nurse who can be bought … the shallow secretary chosen for her loose morals and voluptuous body. This steady drip of detail from various sources adds greatly to the suspense. You’re left wondering just who is the real baddie in all of this? who else is implicated in some way? Everybody seems to have mixed motives, vulnerabilities and dubious characteristics. And the links between them grow ever more tortuous. A tall order to achieve that level of complex interweaving. Could I manage it? Right at this moment I’m not at all sure I could.

Having a take-home message is less of a problem to me. In this case: how far would any of us go to uphold our personal moral standards? What if it became a question of love and loyalty over rules and systems? Familiar? Yep. My kind of territory.

OK. Let’s try again with another novel, another author … a medical mystery-cum-thriller, Damaged by Pamela Callow. Again stories within stories, lots of intertwined characters with mixed agendas, false trails. A blond dog-walker, a lawyer with a haunting past, an inscrutable judge with a murdered daughter, a rejected policeman … By now I’m hugely impressed by authors who can hold all this together so successfully.

One thing is definitely in my favour. Medicine’s a hotbed of ethical quandaries – that’s why I became a novelist in the first place, of course. All those folders containing ideas and research material amassed over the years? Ideal material for intrigue and mystery and dark deeds.

So, what do I think now? Well, I’m not ruling out a thriller this time around. Indeed I’m already trying to work out some kind of grid that would make my story-line work. But, boy, what an undertaking. I might be gone some time!!

 

 

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