Hazel McHaffie

A matter of personal preference

With hundreds of books on my shelves awaiting their turn I’ve been resisting purchasing new ones but I keep hearing about Richard Osman‘s novels being big-time bestsellers, so when I saw The Man Who Died Twice advertised as even better than its debut predecessor, I bought it hoping it would give me a flavour of his style.

In a peaceful retirement village, four unlikely septuagenarians investigate a case of stolen diamonds, drug heists, and a ruthless murderer. Hmmm. OK, Osman has a nice line in gentle humour. His elderly sleuths remind me of Alexander McCall’s No 1 Detective Agency: you can’t help warming to them. Their improbable success is reminiscent of GK Chesterton’s Father Brown: irritatingly poking their noses in where the police fail to tread, and making sense of a crime scene which has baffled the responsible adults.

As the critics say, offbeat, warm, full of heart, with a not too shabby body count. An undemanding diversion. Gave me a welcome break from some serious contemplation of weighty ethical issues. And maybe even a different angle on just how people with widely disparate opinions can, in spite of the odds, manage to work together. Better get back to the study …

, , , , ,

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Die Bedeutung des kreativen Schreibens in der modernen Literatur The Power of Storytelling The Art of Storytelling and the Rising Popularity of Games Like Aviator