assisted death
A short stay in Switzerland
D’you remember the BBC film of this name, A Short Stay in Switzerland, a dramatisation of the last days of Dr Anne Turner who developed an incurable degenerative disorder (PSP)? She made the front pages of the papers with her letters to friends and relations to say, ‘By the time you read this I will be dead‘. In January 2006 she travelled to Dignitas to end her life, the day before her 67th birthday, while she was still able to move and voluntarily take the lethal medication. And a report this week says that almost a quarter of terminally ill people who avail themselves of the suicide clinic’s services are from Britain (second only to Germany).
Well, I’m grateful to be able to report that my own short stay was of a quite different order. I had eight days to revel in the spectacular scenery, travel on the world famous panoramic trains, listen to the enchanting melody of cow bells in the mountains, and inhale the pure Swiss air, with no sinister intent. All I had to do was soak up the beauty and recharge the batteries. Wonderful.
I did my best not to let the Dignitas issue cast a shadow over my holiday, but of course, books featured. After all, this was real Heidi country, Johanna Spyri was born, lived and wrote in and around the rural area of Hirzel and Zurich, and used Graubünden for the setting of her books – all places I visited. Although Spyri struggled to find a publisher initially, the two Heidi stories went on to become by far the most popular works of Swiss literature: they’ve been translated from German into 50 languages, filmed more than a dozen times, and over 50 million copies have been sold world wide. So evocative were they of the Swiss Alps that the real locations exactly conformed to my childhood mental images.
Switzerland is also the stuff of the Chalet School series by Elinor M Brent-Dyer, another big part of my growing up. Stories of schoolgirls who spoke three languages fluently, whose lives were overshadowed by the sanitorium, and who seemed to grow up to have lots of children also destined for the Chalet School. I collected most of the hardbacks (secondhand) in my youth, and passed them on to my daughter, who recently completed the set (58 books), paying a good deal more for rare copies than I ever did! The full complement are destined for the next generation. What a lovely legacy. I might even read them again myself some time – this time in the correct order! – and fill in all the gaps.
Timing
It’s five years now since my novel Right to Die was published. In the run up to publication day I fretted when news stories related to this issue appeared. Would they steal my thunder and make it look as if I was jumping on someone else’s bandwagon?
How absurd. Here we are in 2013 and the subject continues to grab the attention of reporters and the public. Only this week the case of Paul Lamb, a 57-year-old man who’s been paralysed for the past 23 years after a road accident, hit the headlines. He’s taken up the campaign (initiated by Tony Nicklinson and discussed here) to legalise assisted death. He too is unable to do the act himself but wants any doctor who helps him to be immune from prosecution.This issue isn’t going away any time soon and Right to Die is as relevant today as it was in 2008.
Whenever and wherever one contemplates slow deterioration and indignity, pain and suffering, the prospect is horrific. It doesn’t take much imagination to see why a swift end to it all might seem preferable. How to live through the process and achieve a good death is the question.
But speaking of death, I was hugely impressed by best selling novelist Iain Banks‘ recent wry announcement about his own impending demise. As he stated on his website: ‘I am officially Very Poorly.’ He is. He has inoperable gall bladder cancer with numerous secondaries and doesn’t expect to live beyond a few months. His current novel will be his last and his publishers are rushing it through to give him a sporting chance of seeing it hit the shelves. He adds with the sort of ghoulish humour which is helping him deal with this tough situation, ‘I’ve asked my partner Adele if she will do me the honour of becoming my widow.’ The style and language of a brave man and a truly accomplished writer.
My own mark will be infinitessimal compared with his but I still worry about the impact of my books and the timing of their publication: the subjects I deal with do have their moment in the headlights. I couldn’t believe it when last week the press picked up on the fact that organ donation rates had risen significantly. and splashed it everywhere in capital letters. And blow me, the topic even came up in fiction in BBC1’s medical drama Holby City, with the death of a young doctor during brain surgery. She’d requested her organs be used and there was a dispute in the family. Hey, that should all have come after Over My Dead Body was published, not while it’s in the starting blocks!
But supply is still falling way below demand when it comes to human organs so all is not lost yet. Indeed, I doubt it will ever be too late to publish a book about transplantation in my life time.
A lamb to the slaughter
At the end of last year I was invited to a preview of paintings by local amateur artists. As I wandered along the corridors studying the exhibits, my heart went out to the creators of these works, also eavesdropping incognito not only on the compliments, but also the ‘hmmms’, and sudden silences, and occasional unflattering comments. They’d laboured long and hard over those canvases, pouring something of themselves into their art. Irrespective of the appeal of any given painting, I had to admire their courage hanging their work for public scrutiny.
I personally liked a number of the exhibits, and indeed bought this one, which I’m delighted with.
So, given the hazards of parading one’s creativity, you might well ask, what on earth possessed me to put myself in the firing line quite deliberately, by asking a group of very excellent and discerning women readers to tear my current novel to pieces in front of me. Hello? I’ve long been conscious of the fine dividing line between normality and insanity, and my own teetering vulnerability. But this time my lapse was calculated.
To begin with I have a healthy respect for this group of professionals. Last year they invited me to go along to one of their bookclub meetings where they were discussing Right to Die, and I was impressed by the quality of their discussion. They engaged fully with the issues relating to assisted death as well as with the actual story and the art of writing.
And as far as my current writing goes, now is the time to hear constructive criticism, not when it’s between covers. Hitherto all my novels have been published by independent publishers, and the journey to the bookshops by this route includes stages of critique and editing. This might not happen if I do decide to self-publish Over My Dead Body, so I’m going to considerable lengths to get it polished as much as possible by other means. Approaching the bookgroup seemed like a splendid next step.
I made sure they all knew the terms of engagement from the outset: the book is in draft form and I’m looking for rigorous and honest analysis and comment. Flannel and flattery would render the process useless.
So I duly rolled up on Monday evening prepared to be slaughtered in the name of my art. (Can you smell the adrenalin already?!) In the event it turned out to be a really enjoyable and interesting experience. Initially they were concerned for me, being on the receiving end of their criticism, but I can honestly say I was not in the least bothered by it. There was a constructive point to it; it wasn’t malicious or personal. Indeed I’d invited it. It’s always a real thrill to have people talking about my characters as if they know them, and as one of the women said at the end, to have a roomful of people discussing a book in such an animated and engaged way said something about its overall appeal.
So what did I learn? The subject of organ donation is fascinating; all of them agreed on that. They actually wanted more fleshing out of the transplant bits (that really surprised me). Indeed, some found the subplots I had included as hooks, ‘distracting’ and ‘too emotionally draining’. Curiouser and curiouser! (Does this say something about my own over-exposure to the subject?)
The other surprise was that a child character I struggled with most, they all loved. I’ve several times been on the point of removing her sections; now, thanks to their input, I have the confidence not to do so.
So, what next? I have to weigh up each of their comments and consider how much any changes would disturb the overall balance of the book. Taking out a child crime and/or a missing woman and/or a psychotic father and/or a severed limb and/or a wrecked marriage and/or a drug smuggling would inevitably alter the weightings. And might result in a total collapse of the infrastructure of the story … HELP! Adding more descriptive detail might alienate people who want fast action and variety.
I’ve been scribbling furiously ever since, but trying not to rush into too many radical revisions. After all, as the familiar adage has it: You can’t please all of the people all of the time. And I’m the one who has to stand by the finished product.
Money, medicine and morals
Sigh … another sigh – king-size this time … groan … gnash of teeth.
It’s official. On Amazon even. My next book, Saving Sebastian, will not now be out until January 2012. And yes, I’ve been both frustrated and cross. At each stage I completed my side of things on time – if not early. But these are circumstances outside my control. And no amount of appeal or indignation or even anger would change anything, so no point in wasting energy there.
However, we do now have a draft cover. Wahey! What d’you think? Does it appeal?OK, I confess I’ve been a smidgeon depressed by the ongoing delay, but life has a habit of putting things into perspective. And in the face of real tragedy, well, it’s only a book. (Let’s hope my publisher doesn’t read this, eh?) Compared to the heartache of the Shakeel family, another five month wait for Saving Sebastian doesn’t even deserve a mention.
Five years ago this impoverished family in India rejected an offer from the Crown Prince of Abu Dhabi to pay for their conjoined twins to be separated. The separation would have necessitated five or six operations over nine months, each one carrying a one-in-five risk of death. The parents were too afraid of losing one of them to accept that risk or the Sheik’s offer.
Those twin girls, Saba and Fahar, are now 15. According to the latest reports, they are in great pain and deteriorating. They share kidneys and vital blood vessels to the brain. They suffer severe joint pains, blinding headaches, slurred speech, distorted limbs. Their brother says they are enduring 15 hours of unremitting pain each day. They face increasing blood pressure, weight loss and weakness.
Their father says they should now be allowed to end their suffering which in his view is unbearable. He wants the government to either treat them or sanction mercy killing.
My challenge to you:
How would you respond to this request?
What factors would influence you most?
If they were your girls what would you want for them?
Shaking the Foundations
There’s nothing like a major disaster for putting things into perspective, is there?
Events in Haiti this past week have shown a tragedy on a scale beyond imagining. And they totally eclipse some of my current concerns – final editing of my forthcoming book; safety on the icy roads; wallpapering our staircase. When thousands of people are without homes or loved ones, water or medicines, why would anyone worry about a displaced comma or the style of an acronym? When whole communities lie in ruins, who cares if wallpaper is spirit-level straight? When people lie crushed beneath collapsed buildings, broken wrists and ankles seem like small fry. Yes, Haiti has had a profound impact.
It was the same with the Boxing Day tsunami, the collapse of the twin towers, the Lockerbie disaster, the Dunblane massacre … Overwhelming reactions. A compulsion to do something. Yes, we pledge money; prayers have a new earnestness; a few dedicated people may actually go to the danger zone to give their all; we set ourselves new priorities. But then … we move on, we return to our complacent lives, dwell on our own concerns, pursue our own trivial ambitions and dreams. Our species just can’t live their lives at such a peak of intensity. So I want to reflect before the spotlight fades.
Haiti has flicked the switch, but other things have happened during this past few days which have helped to focus the glare, and reminded me of important truths.
- A friend died suddenly and unexpectedly – how important it is to say all the things we want to say now, before it’s too late.
- The official apology to the victims of the Thalidomide tragedy came 50 years after the event – a sincere ‘Sorry’ means a lot.
- The new TV Book Club aired its first episode on More4 – anticipation is often more fun than realisation.
- A 59-year old woman is set to become the oldest to be offered fertility treatment in the UK – just because we can doesn’t mean we should.
- A former nurse is on trial for assisting her daughter to die – these cases highlight the horror when every choice is a tragic choice; the victims need our sympathy not our judgement.
I’ve just made the very last correction to the final draft of Remember, Remember. The last vestiges of the snow are melting. And the staircase is finished. But the devastation of Haiti will reverberate for years. I hope its impact on me will last too.